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Campbell’s dance sequence, by contrast, uses ‘formulae’ from Capital to generate a choreographic score, in much the same way that a star map was used to generate the musical score for John Cage’s Atlas Eclipticalis (1961-2), for example, but if one wants really to understand Marx’s theories of the commodity, one is better off reading Capital which is a lucid, if long, read: the dance sequence is about as much use to a student of Marxist theory as Cage’s music would be to the crew of a space ship. The voice-over is certainly monotonously didactic in its mode of address, yet produces no new knowledge as one might expect of an essay film: it has the air of a scholarly essay but lacks any real scholarship. This moving image work explores issues of cultural imperialism and commodity in a complex layering of archival material, modern day commodities, and a performance made in collaboration with the Michael Clark Dance Company. It is not that it is anti or un-scholarly, but simply it asks the viewer to ask the kind of question that anyone might ask about such things. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). On the other hand, it is stated that, for example, ‘without the influence of a number of enlightenment philosophers…Nigeria would have had a very different constitution or perhaps none at all’, without saying how or why this would come to be. By visiting our website or transacting with us, you agree to this. For access to motion picture film stills please contact the Film Study Center. However, Statues speculates in detail on what these images might mean to a modern French black person, and on what we can know about what the objects might have meant in their own time and the limits to what kind of understanding we can have of them now. Our site uses technology that is not supported by your browser, so it may not work correctly. It for Others is the 2014 Turner Prize winning film by filmmaker and artist Duncan Campbell, which explores the colonial commercialisation of African art and the impact of colonialism on African heritage. ( Log Out /  Like his other films, It For Others blends together found footage … I think of what I do as not being singular or in any way definitive, but as a contribution to a more collective effort.” Show all (6) Director. Change ). If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Will Turner. It includes chapters on African art, a performance with the Michael Clark Company based on ideas about commodities and … Duncan Campbell It for Others 2013 Not on view; Credit Purchase funds provided by The Fund for the Twenty-First Century Object number W24068 Department Film Duncan Campbell has 3 works online. Duncan Campbell has taken Chris Marker and Alain Resnais’ 1953 film Les Statues meurent aussi (Statues also Die) as both source and artefact, to pursue a … Thus the monologue is on one level simplistic, but on another hopelessly cursory: lacking in explanatory detail and hence in effect mystificatory. Art. Gemt af Bora Lee. It for Others is the 2014 Turner Prize winning film by filmmaker and artist Duncan Campbell, which explores the colonial commercialisation of African art and the impact of colonialism on African heritage. Campbell offers no auto-critique of the way in which he has represented the bronzes, such as Godard might have done, for example. Duncan Campbell (born Dublin, 1972) won the 2014 Turner Prize for his contribution to Scotland’s pavilion at the Venice Biennale. (M’Cheyne) The great need of the Christian Church today is not, as some suggest, a restatement of our creed, nor a new approach in the field of evangelism; but a practical exhibition of godly living." F. Duncan Campbell, age 83, passed away on Monday, December 21st, 2020 at the Good Samaritan Hospital in Brockton, Massachusetts. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Campbell took the prize for his video work "It for Others" – a work that reflects on African art and includes a dance sequence inspired by Karl Marx. The film he was nominated for, It For Others, is a film about understanding history through objects. Duncan Campbell (born Dublin, 1972) won the 2014 Turner Prize for his contribution to Scotland’s pavilion at the Venice Biennale. More information is also available about the film collection and the Circulating Film and Video Library. For Where I Am, ATLAS and Taigh Chearsabhagh host a pan-island screening of Duncan Campbell’s Turner Prize-winning work It For Others (2013). In other words Resnais/Marker establish a dialectical relationship with their material, which is considered in its specificity, in detail, in contrast to Campbell’s film, in which the artifacts function as place-holders, fulfilling a generic, illustrative role, by virtue of the fact that the soundtrack talks in abstractions and generalities around the objects as examples of commodified artifacts, and does not address them in their specificity. The process of making the films becomes a means to further understand his subjects and reveal the complexity of how they have been previously represented. Responding to Chris Marker and Alan Resnais’ 1953 film Statues Also Die, Campbell’s It for Others included new work by choreographer Michael Clark. Irish artist Duncan Campbell has won the Turner Prize, one of the world's most prestigious art awards, for his film It For Others, pictured. Find a Grave, database and images (https://www.findagrave.com: accessed ), memorial page for Duncan Campbell (1810–1883), Find a Grave Memorial no. Duncan Campbell's film It for Others wins Turner Prize It for Others: Irish film artist Duncan Campbell was awarded this year's £25,000 Turner Prize for a video that reflects on African art and includes a dance sequence inspired by Karl Marx. Change ), You are commenting using your Google account. Thus, ironically, the manner in which they are presented as images perpetuates precisely the attitudes criticised in the voice-over, which is that the de-contextualisation of artifacts renders them into mysterious and exotic commodities by wrenching them from the culture in which they had their original meaning and function, investing them thereby with exchange value. Duncan Campbell was blessed and used by God in Scotland in the early part of this twentieth Century. Will Turner Skulptur Kunst Moderne Kunst Palazzo Venedig. 10-ene-2019 - Pinterest ED.INFANTIL descrubrió este Pin. Duncan Campbell from “It For Others” Mar. Marx devoted several hundred pages of Capital to analyzing how commodities are formed, how they embody value in the form of materials and labour-time, how, through circulation, they accrue exchange value and how that value can fluctuate according to external forces, so how a short dance sequence can add anything to or elucidate any of this is questionable, especially as the most crucial values in a commodity are invisible, such as monetary values, which are not formal features of the commodity as such. 10-12-2014 - Duncan Campbell 'It for Others' film 2013 - Turner Prize 2014 nominee. Film Screening: Duncan Campbell, It for Others (2013) at MIT Massachusetts Institute of Technology on Tuesday Nov 19, 2013 at 6:30PM | Countries - United Kingdom | MPAA Rating - NR The objects, presumably Nigerian -though the film doesn’t make this explicit- are filmed in isolation against a black backdrop, and lit so as to show them starkly, dramatically even, in the manner of a venerable TV cultural programme. Change ), You are commenting using your Twitter account. ( Log Out /  It for Others, 2013 (16mm film transferred to digital video, 54 minutes) Alain Resnais and Chris Marker, Les statues meurent aussi (Statues Also Die), 1950-53, 30min. Embellishment Drawing. Find movie and film cast and crew information for It for Others (2013) - Duncan Campbell on AllMovie A monologue describes the way the ‘western eye’ has misread these objects as artworks, appropriated them as commodities, in general violated their being in a manner that symbolizes the west’s exploitative relationship with Africa. 2013. New facts are discovered, things are forgotten. Photograph: Courtesy of Duncan Campbell and Rodeo Gallery. Find movie and film cast and crew information for It for Others (2013) - Duncan Campbell on AllMovie For licensing motion picture film footage it is advised to apply directly to the copyright holders. Duncan Campbell’s films include Bernadette, It For Others, Highly Strung, The Welfare of Tomás Ó Hallissy… 10 2016. There are 514 moving images online. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. By Duncan Campbell In the accompanying note, he wryly noted that we would have to be working with a Phillip Sassoon-worthy budget to do all the things he proposed. In 2013, Campbell was one of the three artists chosen to represent Scotland at the Venice Biennale. We use our own and third-party cookies to personalize your experience and the promotions you see. Duncan Campbell Director; Screenwriter; Editor “With any representation, events or history, there is much that is not said. Home; Ask me anything; Archive In themselves these forms can be exciting, but Campbell does nothing new with them, and their efficacy is diminished by their serving as illustrations to inadequately explicated concepts, presented on a soundtrack that is itself deeply conservative; uni-vocal, authoritarian, non-discursive and non-reflexive. The film is strewn with such mystifications, assertions in want of expansion and explanation, but this is unsurprising, indeed inevitable, given the range and complexity of the topics canvassed in such a short time. Descubre (y guarda) tus propios Pines en Pinterest. W24068. 2014 Directed by Duncan Campbell. All this is well-known, so Campbell is merely rehearsing familiar knowledge in a work he claims is an essay film. This moving image work explores issues of cultural imperialism and commodity in a complex layering of archival material, modern day commodities, and a performance made in collaboration with the Michael Clark Dance … Duncan Campbell. His chief desire was to see God work powerfully in the lives of His children. . Duncan Campbell’s 55 minute Turner Prize winning film It For Others begins with a long section consisting of static black and white shots of ‘African’ masks. Purchase funds provided by The Fund for the Twenty-First Century. Alas, it was not to be, but at least it got us to thinking about dividing the spaces into more manageable chunks. ( Log Out /  Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Duncan Campbell makes films that look at representations of the people and events at the heart of very particular histories. By visiting our website or transacting with us, you agree to this. At the same time the work produced is often artistically conservative: conventional and impoverished. In the third section of his film Campbell offers an animatic of containers for shampoo, ketchup, perfume, cleaning fluids and other products; plastic and glass bottles with faces on them: the human side of the commodity? On 1 December 2014, it was announced that he had won the 2014 Turner Prize. Like a lot of contemporary artist filmmakers, Campbell seems not to be content with making art that is proper to its own field of enquiry, conducted in a discourse that is its own and not borrowed from other disciplines or cultural forms. Campbell was the recipient of the 2014 Turner Prize for his video work It for Others. This record is a work in progress. Duncan Campbell makes films that look at representations of the people and events at the heart of very particular histories. Synopsis. Duncan Campbell's film It for Others wins Turner Prize It for Others : Irish film artist Duncan Campbell was awarded this year's £25,000 Turner Prize for a video that reflects on African art and includes a dance sequence inspired by Karl Marx. Irish-born artist Duncan Campbell wins Turner Prize Graduate of the Glasgow School of Art wins for his series of films It For Others Mon, Dec 1, 2014, 20:18 Updated: Mon, Dec 1, 2014, 22:26 Drawing. Udforsk. It for Others was part of … Campbell is showing It for Others (2013), … The decontextualisation of these artifacts goes hand in hand with their transformation into commodities, their commodifiability. Thus the authorial voice of the artist and his editorial decisions are not themselves subjected to the critique that is offered in the voice-over: the images remain unquestioned, as self-evidently sufficient, the objects as ‘timeless’ and ‘beautiful’. The IMDb editors are anxiously awaiting these delayed 2020 movies. This screening was on the same day that The Turner Prize finalists were announced in the press of which Duncan Campbell’s 2013 film It For Others will be shown as part of the Turner Prize exhibition later this year. Duncan Campbell, Director: Make It New John. Licensing . 10-ene-2019 - Pinterest ED.INFANTIL descrubrió este Pin. Its attempt at endearing itself to its buyer? Duncan Campbell is an Irish video artist based in Glasgow, he trained at the University of Ulster and the Glasgow School of Art. The arguments it rehearses constitute little more than a very basic overview cum primer in post-colonialism, imperialism, the ransacking of other cultures for profit, the culture of the IRA, the pricing of artworks, the unreliability of history and other topics. Duncan Campbell It for Others 2013 Show more results Last » Licensing. If you have additional information or spotted an error, please send feedback to [email protected]. In Man with a Movie Camera, Vertov exposed the invisible labour embodied in a commodity by literally showing workers making things, finished examples of which are then shown being consumed. “'The Christian is just a person who makes it easy for others to believe in God.' The process of making the films becomes a means to further understand his subjects and reveal the complexity of how they have been previously represented. The diverse film traditions Campbell draws on for his works, not only show his profound … It for Others, 2013 (16mm film transferred to digital video, 54 minutes) Alain Resnais and Chris Marker, Les statues meurent aussi (Statues Also Die), 1950-53, 30min. That the artist can enter these fields –of anthropology, history, political-economy etc- and make a meaningful contribution is as presumptuous as it is pervasive, particularly in the area of artists’ film and video. The choreographic moves are based on theories of the commodity and are designed to illustrate them. Since 1975, he has specialised in the subjects of intelligence and security services, defence, policing, civil liberties and, latterly, computer forensics. Michael Lanigan profiles Irish video artist Duncan Campbell, winner of the 2014 Turner prize. Duncan Campbell (born 1952) is a British freelance investigative journalist, author, and television producer. It is apparently necessary to take on big non-art topics, complex theories and fields of study with their own histories, trajectories, protocols and standards of scholarship. Born in Boston, Massachusetts on November 19th, 1937, he was the son of the late Clarence F. and Eleanor (Mills) Campbell. His winning piece, ‘It For Others’, and other works are currently on show at IMMA. If you would ... (publication in all other geographic locations). All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Please, Purchase funds provided by The Fund for the Twenty-First Century. It’s a dynamic process. It for Others. The visual language of the various sections of Campbell’s film can be summed up in a few words; pre-colour BBC TV arts documentary, post-modern dance forms with a distant ancestry in Busby Berkeley’s abstracting camera style, 3D animatic work of found objects (a notable and superior antecedent being Paul Bush’s While Darwin Sleeps (2004) a similar film, though of insects) and the ubiquitous ‘archive footage’. The jury described It for Others as an “ambitious and complex film which rewards repeated viewing”. "I remember some years ago sailing past a lighthouse and coming away with th… In the second section, Michael Clark’s company perform a dance, shot from high overhead, also in high contrast black and white. 107346953, citing Springbrook Cemetery, Sterling, Cayuga County, New York, USA ; Maintained by abby (contributor 47770484) . A monologue describes the way the ‘western eye’ has misread these objects as artworks, appropriated them as commodities, in general violated their being in a manner that symbolizes the west’s exploitative … Artist and filmmaker Duncan Campbell has taken Chris Marker and Alain Resnais’ 1953 film ‘Les Statues meurent aussi’ (Statues also Die) as both source and artefact, to pursue a meditation on the life, death … Check out what we'll be watching in 2021. In the final sections the debate widens, from offering guidance on how artworks are valued financially according to size and materials, and some reflections on the unreliability of history, via archive footage of IRA marches, and in the example of the way in which revolutionary images –Che Guavara’s head being the most infamous- become commodified: the commodification of everything. ... “'The Christian is just a person who makes it easy for others to believe in God.' To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Duncan Campbell’s 55 minute Turner Prize winning film It For Others begins with a long section consisting of static black and white shots of ‘African’ masks. From MOMA: "This meditation on cultural imperialism and the commodification of objects is an expanded historical response to Chris Marker and Alain Resnais’ 1953 film Statues Also Die. Duncan Campbell Campbell, an Irish born video artist based in Glasgow, was nominated for his presentation "It for Others". Duncan Campbell 'It for Others' film 2013. For Where I Am, ATLAS and Taigh Chearsabhagh host a pan-island screening of Duncan Campbell’s Turner Prize-winning work It For Others (2013). Campbell states his film is inspired by Alain Resnais and Chris Marker’s film Statues also Die (1953), which it resembles superficially in the way one or two of the masks are filmed. Change ), You are commenting using your Facebook account. Duncan Campbell is an Irish video artist based in Glasgow, he trained at the University of Ulster and the Glasgow School of Art. Descubre (y guarda) tus propios Pines en Pinterest. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Duncan Campbell scooped the highly-coveted 2014 Turner Prize award in December, an achievement that recognises the Dublin born Scottish-based artist’s work in the realm of video art. It for Others. "The early Christian Church conquered because the Christians of those days out-thought, outlived, and out-died the pagan." The film features an array of related artefacts and archival footage, examining the question of how artefacts and artworks are valued, exchanged, collected or displayed. While attending … He was raised in Walpole and graduated from Walpole High School with the Class of 1956. Statues, by contrast, concerns itself with issues proper to the experience of trying to understand artifacts from other cultures, and this is where it functions as an effective art-discourse. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by … It for Others (2013) Directed by Duncan Campbell Genres - Avant-garde / Experimental , Culture & Society | Run Time - 54 min. There are potentially interesting possibilities in the exploration of this phenomenon, but Campbell opts, instead, for a soundtrack of drumming. ( Log Out /  Film Duncan Campbell’s It for Others, 2013. In the lives of his children with us, you are commenting using your Facebook account,. Thus the monologue is on one level simplistic, but on another hopelessly cursory: in. 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